Violin
also known as: vāyalin · Carnatic violin
Four-string bowed lute, identical in construction to the Western violin but held in the Indian posture — seated cross-legged with the scroll braced against the ankle so both hands are free to ornament freely. Tuning is Sa-Pa-Sa-Pa (1st–4th strings).
Family
Bowed string
Role
Melodic accompaniment
Exponents listed
6
Origin
European (Italy, c. 16th century); adapted to Carnatic music in the early 19th century
History & significance
The violin entered South India through European missionaries and military bands in the 18th century. The systematic adaptation to Carnatic music — including the seated posture, the Sa-Pa-Sa-Pa tuning, and the bowing technique that produces gamaka — is credited to Bāluswāmi Dīkṣitar (1786–1858), the younger brother of Muttuswāmi Dīkṣitar. Within a generation the instrument had displaced earlier melodic accompaniments and become essential to every concert.
In the 20th century, soloist careers became viable: Mysore T. Chowdiah's seven-string variant gave the instrument a distinctive resonance; Lalgudi Jayaraman raised the violin to an equal partner to the voice with his solo recitals and tillānā compositions.
In a Carnatic concert
Melodic accompaniment to the vocalist; shadows the line, fills the pauses, responds in niraval and svara exchanges. The violinist also performs a solo segment ('violin response') in many concerts.
Exponents· 6
Bāluswāmi Dīkṣitar
1786–1858Brother of Muttuswāmi Dīkṣitar; introduced the Carnatic posture and tuning, the founding figure of the South Indian violin tradition.
Mysore T. Chowdiah
1894–1967Invented the seven-string Chowdiah violin; asthana vidwan of the Mysore court; Padma Bhushan.
Dwaram Venkataswamy Naidu
1893–1964Padma Shri; pioneering soloist who toured internationally in the 1930s.
Lalgudi G. Jayaraman
1930–2013Padma Bhushan; established the violin as a solo concert instrument; prolific composer of varṇams and tillānās.
T.N. Krishnan
1928–2020Padma Bhushan; long career as accompanist to the major vocalists of the mid-20th century.
M.S. Gopalakrishnan
1931–2013Padma Bhushan; equally at home in Hindustani and Carnatic styles, a rare double-tradition violinist.