Abhōgi
Janya of Karaharapriyā (22)
Devotional; pentatonic
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Ārōhaṇa (ascending)
- S
- R₂
- G₂
- M₁
- D₂
Avarōhaṇa (descending)
- D₂
- M₁
- G₂
- R₂
- S
Signature phrase
S R₂ G₂ M₁ D₂ Ṡ
The pakad (catch-phrase) is the 4-8 svara motif that defines this raga's identity. Internalise this phrase first — it's what your ear reaches for when the raga returns to its home base.
Rāga grammar
- Vādi (king svara)
- M₁
- Samvādi (queen svara)
- S
- Jīva (life-giving)
- R₂ M₁ D₂
- Nyāsa (resting)
- S G₂ M₁
- Graha (phrase-starting)
- S R₂ M₁
Listen to Abhōgi
Arōhaṇa-avarōhaṇa exposition with tampura drone.
Sangeet Parijat — Ahobala's notes
- Graha (opening)
- Sa
- Aṁśa (king svara)
- Ma
- Nyāsa (rest svara)
- Sa
- Time
- Morning
- Gīti
- Sādhāraṇī
- Gamaka
- kampita
Audava janya of Kharaharapriyā (#22). Ma amsha — the rest-on-Ma cadence is the raga's pedagogical hallmark.
Similar ragas
Top 5 by mūrchhanā + aṁśa + nyāsa + graha + gītī overlap. Match score shown.
- ĀbhērīG SaA MaN SaSādhāraṇī100%
- MadhyamāvatiG SaA MaN SaSādhāraṇī100%
- SahanaG SaA MaN SaBhinnā95%
- VanaspatiG SaA MaN SaŚuddhā95%
- KharaharapriyāG SaA ReN SaSādhāraṇī80%